SUSAN INGLETT GALLERY
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General Information
Locality: New York, New York
Phone: +1 212-647-9111
Address: 522 W 24th St 10011 New York, NY, US
Website: www.inglettgallery.com
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Great news: William Villalongo's solo exhibition, "Sticks & Stones," is officially open! This Saturday, 23 January, the artist will be present in the Gallery from 1-6 PM in celebration of Sticks & Stones. Experience Villalongo's new cut paper works for yourself, like "A Seed is a Star," featuring colorful drinking gourds among cut-outs in the artist's characteristic black velvet. Stop by or make an appointment to view Villalongo's exhibition, open through 6 March.
Take a deep-sea dive into Hope Gangloff's National Portrait Gallery portrait of Julie Packard, director of Monterey Bay Aquarium, in the museum's latest Google Arts and Culture exhibition! Explore marine life from the aquarium with species selected by Packard for her portrait and the formal themes Gangloff carried throughout her painting. Swim on over to our link in bio to learn more about Packard and Gangloff's stunning work
Mark your calendars: William Villalongo's exhibition, "Sticks & Stones," opens in the Gallery next Thursday, 21 January! The artist’s sixth solo exhibition with the Gallery, "Sticks & Stones" shines a spotlight on the artist’s signature black velvet cut paper work. Villalongo will also be present in the Gallery on Saturday, 23 January from 1-6 PM.
Time to sharpen your pencils: Robyn O'Neil is teaching a drawing workshop through The Toledo Museum of Art on Saturday, 23 January in conjunction with the three-person exhibition, "Telling Stories: Resilience and Struggle in Contemporary Narrative Drawing," featuring work by O'Neil, Amy Cutler, and Amy Pootoogook. Register for this one-day course through the link below!
We're excited to share the e-catalogue for our current exhibition, Robert Kobayashi: Moe's Meat Market! Included are stories and photos from Kate Keller Kobayashi, the artist's widow, capturing the life and times of Moe's Meat Market. Read more via the link below
We're delighted to celebrate our representation of Channing Hansen with our latest viewing room, highlighting two new pieces currently installed IRL at the Gallery. Hansen's latest series commemorates women's oft-overlooked contributions to the sciences. This work, "Thomas" (2020), pays tribute to Valerie Thomas, an aerospace engineer of color who invented NASA's illusion transmitter, an aeronautical device still in use by NASA and for which she holds the patent. Explore Hans...en's complex knitted forms for yourself: visit the viewing room through our link below! . https://inglettgallery.viewingrooms.com//9-channing-hansen/ . Pictured: CHANNING HANSEN, Thomas, 2020. California Variegated Mutant (Odelia), California Variegated Mutant (Olive), Coopworth/Texel (Anise), Gotland (0343), Leicester Longwool, Lionhead (Beatrix & Derek), Romedale (Quenby), Romedale (Rascal), Shetland (Selah), and Shetland (Selene) fibers; silk noils, and Tussah silk; holographic polymers; bamboo carbon fiber and Sequoioideae Redwood/ 35 1/4 x 42 in. See more
We made the list of things to Watch, Read and Do this Fall from New York Magazine be sure to add Robert Kobayashi: "Moe's Meat Market" to your list. Don’t take our word for it, Jerry Saltz says..."an artist crackling with energy, ideas, and optical smarts in work that feels absolutely current." Schedule an appointment or drop by to see this stand out of a show
And today's the day: our Robert Kobayashi exhibition, Moe's Meat Market, is officially open! "Kobayashi’s method stands alone..." John Yau wrote in a review of the show for Hyperallergic, "Through this method of bricolage, he made still lifes, nudes, cityscapes, and landscapes of grass that are unlike anything I have seen." "Moe's Meat Market" is open through 7 November. Make an appointment or stop by-- you don't want to miss this!
A wonderful way to begin the weekend: a review by Andrea Scott in The New Yorker of our exhibition, Robert Kobayashi: "Moe's Meat Market." Read more about Kobi and his "his chimerical sculptures and paintings" below!
Wilmer Wilson IV's solo exhibition, "Bedspread Iterations," at Halsey Mckay Gallery was mentioned in Kelly Crow's fall art preview in The Wall Street Journal. Gallery owner (and Susan Inglett Gallery artist) Ryan Wallace said, "We’ve all been kept indoors for months, and there’s no better metaphor for that than your bed." Couldn't agree more!
Susan Inglett Gallery is proud to present, "Moe's Meat Market," a solo exhibition of historic work by ROBERT KOBAYASHI (1925-2015). We have also debuted a concurrent viewing room devoted to the exhibition. If you ever wandered Little Italy in the Eighties and Nineties, you might remember a quirky gallery space operating as Moe’s Meat Market, which displayed the mixed-media works of Kobayashi. Occasionally, the gallery was open to the public but mostly not according to the whims of its resident proprietor. Using the streets of Little Italy and Soho as inspiration, the artist appropriated ceiling tin discarded during neighborhood renovations and transformed the material into extraordinary bricolage paintings and sculptures. Check out our viewing room below to immerse yourself in "Moe's Meat Market" from home!
The Gallery brings East Hampton to you through our latest viewing room for Wilmer Wilson IV's solo exhibition, "Bedspread Iterations," at Halsey McKay Gallery in East Hampton. The exhibition opens 29 August, but you can enjoy a sneak peek of this series of photographs through the OVR below! Drawing on a series Wilmer Wilson IV made between 2009 and 2010, "Bedspread Iterations" is an early inquiry into Wilson’s work in expanding the lexical possibilities of the materials of ev...eryday life. Having reimagined household objects such as staples, paper bags, and stamps as materials in other bodies of work, the artist starts from a similar place in these gelatin silver prints: his bed. The exhibition comprises 14 works created by cutting into a series of 35mm negatives of his bedspread in disarray. The fabric’s figurative presence undergoes an esoteric translation through darkroom techniques and physical manipulations of the material mediating the image. The autonomy of the original photographic image has been punctured; what emerges is somewhere in between the territories of photograph and collage, documentary and abstraction. These fragments that result from the physical cuts are in dialectical relation to the folds of the bedspread, producing glyph- and language-like qualities which emerge through the fog of paper negative exposure. There is an implied distance through the atmospheric perspective created by the haze around the cut forms, moving into a more ethereal realm. Together these works present a liminal vocabulary springing from an image pervasive to the daily life and interior space. See more
Tomorrow at noon, Museum of Modern Art associate curator Paulina Pobocha will conduct a virtual studio visit with Maren Hassinger-- follow the "pink path" to MoMA's Instagram to catch their discussion on Instagram Live then! (Pictured: MAREN HASSINGER, Pink Paths, 1982.)
Robyn O'Neil developed a love for cloud formations through many years logged living and traveling throughout the Midwest and Texas. After relocating to the West Coast, persistent blue skies and a nostalgia for the dramatic weather patterns of her youth prompted her to begin collecting renderings of actual cloud sightings and images taken from Art History and popular culture, resulting in her recent Cloudmaker series. Her graphite drawings are a study in the sublime, renderi...ng in careful detail the breathtaking, panoramic views of the greatest outdoors. Our viewing room devoted to the Cloudmaker drawings breaks down these detailed works to their very source, laying bare the eclectic variety of art and memory that fuels O’Neil’s enchanting vision. Videos showcasing the minute details of her works as well as audio recordings from the artist herself provide further insight into these complex, labyrinthine landscapes. Head to our viewing room to learn more about this series.
Need a wardrobe refresh? Support your community by buying one of Marcia Kure's chic limited-edition masks, all the proceeds which benefit the Coalition for the Homeless and Bronxworks. Protect yourself and others in style: head to the link below to get yourself a mask today!
A great start to the weekend: a profile of Maren Hassinger in The Wall Street Journal by Susan Delson! "[Hassinger's] sculptures, installations, performances and videos respond urgently to the events of our time, bearing witness to the natural world and its accelerating loss as well as to the human desire for connection."
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